Illustration projects:

Netflix Illustrations
  for The Good Life
  2022
  #Illustration

A series of illustrations for The Good Life magazine about the rise of the Netflix company. The hero illustration features themes common to the streaming service (science-fiction, historical drama, medieval fantasy, nature documentaries), while secondary illustrations dwelve into the details of films and series financed by it. Objects and symbols refer to specific episodes of the series and act as easter eggs for devoted fans.

Train freight in the US
  for The Good Life
  2022
  #Infographic

An infographic for The Good Life magazine comparing the seven major freight train companies in the US. Total rail lenghts, total revenue and net revenue of these companies are assembled in a two-axis chart, so the space the infographic takes on the page is optimized.

Rising sea levels
  in the Atlantic
  for The Good Life
  2021
  #Illustration

For this depiction of rising sea levels in the Atlantic due to climate change, a bold colour palette were used, as well as references to the local architecture and landscape of Normandy and to Hokusai's "The Great Wave off Kanagawa" print. The waves seem to float into mid-air as they loom over a disquiet scene, announcing impending doom.

Ski stations
  and climate change

  for The Good Life
  2020
  #Illustration

A series of illustrations about the effects of ski stations on climate change and viceversa. The original article also spoke about good practices that ski resorts can put into effect so skiing can become more sustainable.

Demography of Miami
  for The Good Life
  2018
  #Illustration
  #Infographic

A double-spread infographic for The Good Life magazine about the demographics of the Miami county and Miami DAE. The colour palette, with its pink and yellow tones, was inspired by the city's culture. Featuring the ever-growing skyline, a beach cabins and the notoriously elusive pink flamingo.

Carbon capture and storage
  for The Good Life
  2016
  #Illustration
  #Infographic

CSS (CSC in French) is "a technology that can capture up to 90% of the carbon dioxide (CO2) emissions produced from the use of fossil fuels in electricity generation and industrial processes" (according to the CCSa). This illustration for The Good Life magazine is partially inspired by a midcentury Petroleum Club mosaic by John Smith that was uncovered at the old Statler Hotel in Los Angeles in 2012.

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